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Jan 29, 2013
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this -- and looking at it at this distance that we made it for almost no money at all in no time in london because we felt it had to be made so one young cameraman and one other person, we went out each day and put it together and "lord of the flies" i've written a lot about how we rediscovered the whole principles of movie making because we had to do it with no means whatsoever and that is interesting in movies but having made my first movie in studio, i never want to do that again. >> back to the point of making movies and what you did and the reason you made them, are movies and theater today exercising the amount of power they should to provide a link with the great issues of our time? >> television does that. i think we see that where minority was considered elitist and snobbish and that one shouldn't go along with today it's on the country because these are very concentrated forms for a relative number of people, something that brings even a drop of something more positive into the world sr. worthwhile. that's all. it's just -- paul scofield said that in "tell me lies" where in the m
this -- and looking at it at this distance that we made it for almost no money at all in no time in london because we felt it had to be made so one young cameraman and one other person, we went out each day and put it together and "lord of the flies" i've written a lot about how we rediscovered the whole principles of movie making because we had to do it with no means whatsoever and that is interesting in movies but having made my first movie in studio, i never want to do that again....
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Jan 19, 2013
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. >> rose: what has it changed in london, in great britain about the relationship between murdoch and the government? part of it they say is a rot of people were intimidated. >> which i'm sure is true. >> rose: and they're less intimidated now. >> i think it was a mutually beneficial relationship between the murdoch empire and all its guises and the government of the day. it's not an unusual thing, media owners to have relationships with the government at the time. and for mutual benefit where appropriate. and i think it probably was a case of that, and then what happened is you had a kind "reservoir dogs." you had the politicians exposed for expenses and fiddling their lunch bills and building moats at public expense and so on. they felt enraged by that. some of them went to jail. they then gleefully targeted the journalists. in the middle of it you have the police targeted by everybody. >> rose: they were brought into it-- >> right. and they may target everybody else in revenge as well. you have a "reservoir dog" situation. >> rose: everybody turning on everybody? >> i think it's bu
. >> rose: what has it changed in london, in great britain about the relationship between murdoch and the government? part of it they say is a rot of people were intimidated. >> which i'm sure is true. >> rose: and they're less intimidated now. >> i think it was a mutually beneficial relationship between the murdoch empire and all its guises and the government of the day. it's not an unusual thing, media owners to have relationships with the government at the time. and...
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Jan 28, 2013
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the best one was this guy that was being interviewed in london. he had participated in a triathlon which is what swimming, bicycling. >> rose: running. >> 94. >> yeah. >> and the question they asked him was are you going to do this again. and he says yes, i'm going to keep doing it until i get old. and i have never forgotten that. >> what did you bring to this because of the remarkable career you had in acting it to directing. what did that give new. >> well, i think some of the best directors were actors, ben a flect, warren beatty, i mean you know t doesn't hurt. >> but what does it give you. >> well, this is a long answer. because this is a hundred-year-old art form give or take. in fact, i think i'm almost as old as sound, you know, really, because i was born in 37 and i think sound came in around 29 or 30. and it's about the machine, unfortunately, is that you go to work and the clock is ticking and it's like a train coming to run you over and the film is like a canvas on a railroad track. and the closer it gets, and so just before the train
the best one was this guy that was being interviewed in london. he had participated in a triathlon which is what swimming, bicycling. >> rose: running. >> 94. >> yeah. >> and the question they asked him was are you going to do this again. and he says yes, i'm going to keep doing it until i get old. and i have never forgotten that. >> what did you bring to this because of the remarkable career you had in acting it to directing. what did that give new. >> well,...
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Jan 24, 2013
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>> they're enormously patriotic but their children somehow end up in new york, and paris and london. they give up. >> i don't agree with that. maybe that's true of some of the cases. i know a lot of people who have come back to israel-- >> it's quiet now. there is a kind of eerie-- strange and eerie quiet but it's not going to last. >> i'm not saying it will last, but i do think-- go ahead. i'm sorry, demis. >> david, you're identifying one thing that is a simple reality. for israel's long-term well-being the idea that it maintains the occupation is not in its interest because not only the effect it has on the values but the demographic issue. the longer this goes on the greater the danger that in fact you lose a two-state outcome and in the end israel has to go back to a unilateral withdrawal. so it is in israel's interest to find a way to go forward. it is in israel's electric as port was saying, to find a way to strengthen the palestinian authority. one the administration has to be engaged but i would build an engagement around an agenda that focuses on what steps do we take to de
>> they're enormously patriotic but their children somehow end up in new york, and paris and london. they give up. >> i don't agree with that. maybe that's true of some of the cases. i know a lot of people who have come back to israel-- >> it's quiet now. there is a kind of eerie-- strange and eerie quiet but it's not going to last. >> i'm not saying it will last, but i do think-- go ahead. i'm sorry, demis. >> david, you're identifying one thing that is a simple...
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Jan 16, 2013
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of people didn't, although david wall whosh is irish journalist who worked for the sunday times of london was the early skeptic and wrote conceptcally about him from the beginning and really suffered greatly because of it, and in the end, he was right. >> also add to that all three of us here have done reporting on doping in sports and the bar is really high, so the difference between knowing something as a person and being logical and reasonable and being able to print it when you are going probably to be sued, is a high one, i get this question all the time, you might really -- i am sure all three of us know other athletes we know athletes who are doping but haven't quite met that bar to really publish it so when you end up in court you can defend it. >> so you said cycling is dead, so what happens to lance armstrong? david, start with you. >> well, i think he -- i think for some people they will see this as a starting of a certain kind of rehabilitation, probably people who haven't been following it close enough to sort of followed the stories of the people he hurt along the way, i thi
of people didn't, although david wall whosh is irish journalist who worked for the sunday times of london was the early skeptic and wrote conceptcally about him from the beginning and really suffered greatly because of it, and in the end, he was right. >> also add to that all three of us here have done reporting on doping in sports and the bar is really high, so the difference between knowing something as a person and being logical and reasonable and being able to print it when you are...